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Sy Parrish (narrated):
The red-eye effect is the result of light rays from a cameras flash,
or any other bright light source, entering a subjects dilated pupil,
and reflecting back the color red from the epithelial layer of the
retina. Scientists will tell you that this tissue in the human eye
is similar to the tapetum in nocturnal animals. The tapetal layer
doubles the amount of light entering the eye and helps the animal
to maneuver and hunt by night. So when we see this red eye effect
in photographs of our father, or our own children, it always jolts
us. It seems a kind of warning, a kind of unwanted reminder of something.
And is often the only truthful detail in the average family snapshot. |

Sy Parrish (narrated):
Family photos do keep smiling faces. Births, weddings, holidays, children's
birthday parties... People take pictures of the happy moment in their
lives. Someone looking through a photo album could conclude we had lead
a joyous, leisurely existence. Free of tragedy. No one ever takes a picture
of something they want to forget.

Sy Parrish (narrated):
I'm sure my costumers never think about it, but these snapshots
are their little stand against the flow of time... the shutter clicks,
the flash goes off and they've stopped time. These family snapshots
are all that stands between us and total oblivion.
And if these pictures have anything important to say to future generations,
it's this: I was here. I existed. I was young, I was happy and someone
cared enough about me in this world... to take my picture. |
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Sy Parrish (narrated):
If these pictures have anything important to say to future generations
it's this: I was here, I existed, I was young, I was happy, and someone
cared enough about me in this world to take my picture.

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Sy Parrish (narrated):
I've done POS mini-lab work for over 20 years now. I consider it an
important job. I work with priceless objects. When peoples houses
are on fire, what's the first thing they say after their loved ones
and pets are safe... The family photos. Most people wouldn't consider
this a job of craft but, it is. The way I look at it, the mini-lab
machine is like a musical instrument. And like any musical instrument
it can be played exquisitely, or poorly, depending on the skill of
the performer. Some people think this is a job for a clerk. They actually
believe that an idiot attending a two day seminar can master the art
of making beautiful prints in less than an hour. But, of course, like
most things, there's far more to it than meets the eye. |

Sy Parrish (narrated):
For most of my costumers, photography is not an art form. The natural
part of family life. It's just something they do. A parent who didn't
take pictures of their child, especially when they're small, might
be considered indifferent. |
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Sy Parrish (narrated):
When we say we remember an experience from out childhood. Do we really
remember it? Or do we remember what the picture of it look like in our
photo album? Would we forget it if we didn't have a picture to remind
us? Are we afraid that when we're old and senile. Our memories will desert
us, and we'll be left with nothing.

Sy Parrish (narrated):
There's no such thing as an innocent photograph. They're not dead thing
like some magazine lying in some shoe box. They cast spells.

Sy Parrish (narrated):
According to the Oxford English dictionary, the word snapshot was first
used in 1908 by an English sportsman by the name Sir Andrew Hocker. He
noted in his diary that almost every bird he shot that day, was taken
by snapshot. Snapshot then... was originally a hunting term.

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Sy Parrish (narrated):
Most people don't take snapshots of the little things: the used
band aid, the guy at the gas station, the wasp on the jello. But
these are the things that make up the true picture of our lives,
people do not take pictures of these things. |

Sy Parrish:
You're right, that's none of my business. But I'm guessing by your
answer and the ring on your finger that you are. That makes you a
fortunate man. And I can tell by the way you treated me so far and
the way you carry out your job, you're a good man. Good husband, father.
And I appreciate this good fortune. You'd never cheat on your wife,
hurt your family. Betray her trust. You'd never neglect and abuse
your children and make horrible demands of them. You'd never ask you
children to do things--things that children shouldn't do! You'd never
take disgusting, sick, degrading pictures of your children doing these
things! You'd never treat your children like animals. Will Yorkin
has it all and he's throwing it away. He's not a good father. |
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